500 Words Or Less: JACK REACHER (2012) and THE LAST STAND (2013)

Jack:Arnold

There’s a quote by David Foster Wallace where he theorizes that, in an age of irony and cynicism are the sword and shield of ‘rebellion,’ perhaps true rebellion comes from earnestness, simplicity, unpretentiousness, and grace. While neither one is a masterpiece, Jack Reacher and The Last Stand remain entertaining on those merits alone. Or perhaps it’s because you can watch the fight sequences and understand what’s going on.

Reacher and Last Stand’s similarities go beyond those virtues. Both feature eighties icons who are now reaching middle age. In fact, were it not for things like cell phones and GPS playing a large role, these films could have been unearthed by some nostalgic start-up and released on DVD with a reunion in the special features. Both are contemporary updates of Western tropes — Reacher telling the tale of a man (Tom Cruise) who rides into town, restores order, and then rides out again, Last Stand focuses on a town and its sheriff (Arnold Schwartzenegger) under siege from outsiders. Both know how to employ humor and both get assists from capable supporting casts. And both suffer from the same flaws — each is about ten minutes two long, and littered with excessive violence.

Jack Reacher, despite its PG-13 rating, feels like the more violent of the two. Based on one of the many novels by Lee Child, the film focuses on Reacher’s hunt for a sniper in Pittsburgh. It’s easy to see why the film was delayed in the aftermath of Sandy Hook. There’s one flashback to the murders in particular that’s quite unsettling when viewed through this lens. However, Cruise’s Reacher prefers to solve his problems with his hands — and while he’s not the hulking brute from the books, the intelligence and swiftness of the character are given capable menace by the actor. As a character, Reacher falls somewhere between the movie star roles of The Firm and Top Gun and the weird menace of Magnolia and Rock of Ages.  Writer-director Christopher McQuarrie makes effective use of Pittsburgh as a location, and for a writer known for his verbal brilliance, the film’s best sequences are wordless. Except when Werner Herzog appears to give audiences his take on The Greek from The Wire.

The Last Stand also knows how to quickly establish its location and simple plot: a fugitive is racing towards the border in a very fast car, and only the sleepy town of Sommerton Junction and its sheriff stand in its way. That sheriff has a name, but to audiences, it’s just Arnie, back on the screen after years in political life. The actor surprises in his nearly full-throated embrace of his age while occasionally reminding viewers that he can act when he wants to. Loud, fast-paced, and funnier than expected with a wonderful score, the film features several thrilling action sequences — a chase through a cornfield stands out — that make it preferable to Jack Reacher.

But Blood and Bone beats them both.

Jack Reacher. Dir./Wr. Christopher McQuarrie, based on the novel One Shot by Lee Child. Perf. Tom Cruise, Rosamund Pike, Richard Jenkins, Werner Herzog, Robert Duvall, Jai Courtney, David Oyelowo. 130 minutes. Paramount, 2012.

The Last Stand. Dir. Kim Ji-woon. Wr. Andrew Knauer. Perf. Arnold Schwartzenegger, Johnny Knoxville, Forrest Whitaker, Jamie Alexander, Luis Guzman, Peter Stormare, Zach Gilford. 107 minutes. Lionsgate, 2013.

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