>In reverse chronological order:
There are many ways the concept behind The Killing could have gone wrong in execution. Instead, this Sunday night serial is shaping up to be one of the strongest crime shows in years. It might, in fact, be as much a reinvention of the procedural as Deadwood was of the western or The Sopranos was of mob dramas.
My rave review of AMC’s new tv series The Killing. I have no idea why there’s a dinosaur in the picture.
During a career that spanned more than half a century, American film director Sidney Lumet, who died on Saturday at age 86 from lymphoma, gave crime-fiction fans more than a few films that became classics. Those pictures, with titles such as 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), and The Verdict (1982), remain beloved by any fan of the genre, often setting the gold standard.
A quick obituary of director Sidney Lumet, focusing on a few of his lesser-known films. Lumet became something of a major inspiration and influence in later years, and I’m very sad he’s gone.
“Pleasant surprise” is an excellent way to describe The Lincoln Lawyer, starring McConaughey as Connelly’s series criminal defense attorney, Michael “Mick” Haller (changed from “Mickey” in the original novel). After an excellent opening credits sequence by Jeff McEvoy, set to Bobby “Blue” Bland’s soul classic, “Ain’t No Love (In the Heart of the City),” the film wastes little time throwing us into the life of Mickey Haller and the case that will fuel the plot. While the original novel takes a few chapters to establish Haller and his world, in the movie it’s developed alongside the case of Louis Roulet (Ryan Phillipe), a rich young man accused of attempting to murder a prostitute. This new balance might give fans of the novel whiplash, but screenwriter John Romano balances plot and character with a comfortable ease.
My review of The Lincoln Lawyer. I don’t know if this is still playing anywhere, but it’s worth checking out to see what it’s all about (Alfie).